Seven controls. One window.
Pick a preset
Trap, House, R&B, EDM, Drill and more, 13+ genres. Every preset can be changed.
Shape it
Seven‑knob unification
The 1.0.0 release brought all seven controls into a single panel. Before this, shaping a bass meant switching between separate EQ, saturation, and stereo tools.
Now a preset loads, you tweak, and the track sits right. The library also grew. 13+ genres, fully customizable — no locked settings, no read-only starting points.
With your DAW
QUAKE runs on any host that supports AU or VST3. Logic, Ableton Live, FL Studio, Bitwig — it doesn't matter.
It also plays well with macOS routing. Drop it on a track, send it through a bus, and layer it with a sub from another synth. The Width control keeps things from clashing in the stereo field. Filter cleans up the low end before it hits your master chain.
If you use a tnt mac torrent search engine to discover other tools, you'll find QUAKE fits into a lean setup — one instrument for bass, one for drums, maybe a sampler. That's enough.
One beatmaker's evening
Someone opens a blank Ableton session at 10pm. They need a Drill 808 that knocks but doesn't smear the kick.
They load QUAKE, pick a Drill preset, and turn Filter down to carve out the sub frequencies. Metal goes up a touch for transient snap. Heat stays low — just a hint of saturation. Width stays centered; they'll widen the pad later.
Twenty minutes in, the bass sits. No bouncing between four plugins. No browsing through cymatics quake sample folders for that one sound. The preset was a starting point, not the final answer.
By midnight, the beat is arranged. The bass part took one plugin and six knob turns.
Filter trims the lows. Heat saturates. Metal adds bite to the transient. Width opens the stereo field, Noise adds analog texture, Push sets the level.
